“Cellist Juliana Soltis recounts the century‑long disappearance and improbable rediscovery of Helen Crane’s An Elegy, a 1919 prize‑winning work lost in the depths of Library of Congress catalogues and revived through a cross‑institutional sleuthing effort worthy of its own mystery novel.”
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“mesmerizing, intimate and intriguing…Soltis and Li’s inimitable talents are front and center for these delicate, romantic and energetic gems.”
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“AMERICAN WOMAN is a mesmerizing collection of pieces…all played with tender reverence.”
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Juliana joins host Leah Roseman for a wide-ranging interview that touches on everything from her latest release, AMERICAN WOMAN, to the impact her experiences as an athlete have had on her approach to musical performance. Cameos by Juliana’s scene-stealing greyhounds, Ceci and Rocky, make for an especially entertaining episode!
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“an impassioned statement…arresting”
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Juliana joins Virginia Public Media’s Mike Goldberg LIVE in-studio to discuss her latest release from PARMA Recordings, AMERICAN WOMAN, as well as the journey that brought her (and her greyhounds!) to Richmond’s historic Church Hill.
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Juliana joins WGTE’s Brad Cresswell live in-studio for a special performance of works from her latest album – AMERICAN WOMAN – on this episode of LIVE from FM91.
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Juliana’s latest release, AMERICAN WOMAN, is “the perfect album to feature as we move from Black History Month to International Women’s Day (March 8) and Women’s History Month, celebrating strong, determined women. Adding a frisson to the festivities this year is that observing these annual milestones feels subversive!” – Bill O’Connell, Ideastream Public Media/WCLV
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Juliana helps kick-off WWFM’s annual Bach 500 fund drive (and Women’s History Month!) with a special in-studio performance featuring fan-favorites off her 2019 release Going Off Script, as well as works from her latest album, AMERICAN WOMAN.
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“In America, ours is a music with room for everyone” – Juliana joins artists such as Jennifer Koh and PUBLIQuartet in discussing concepts of American voices and identity in classical music with Strings Magazine’s Laurence Vittes.
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