Interview: ‘Contemporary Classics’ on WRUU
Juliana joins WRUU’s Dave Lake to talk about her latest release, AMERICAN WOMAN, on ‘Contemporary Classics.’
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Juliana joins WRUU’s Dave Lake to talk about her latest release, AMERICAN WOMAN, on ‘Contemporary Classics.’
MoreComposer, conductor, and fellow cellist Attilia Kiyoko Cernitori talks with Juliana about her commitment to music accessibility, how her rescue greyhounds keep her humble, and her upcoming album release, American Woman.
MoreIn this first of two exclusive video premieres in partnership with Strings Magazine, Juliana performs the famous Prelude of Bach’s Suite No. 1 in G Major from her latest album, Going Off Script: The Ornamented Suites for Cello.
MoreJuliana drops by the WBAA studios at Purdue University to chat with WBAA Content Director Greg Kostraba about improvisation in Bach’s cello suites and perform some exclusive tracks off her new album, Going Off Script.
More“[Soltis’s] serious musicianship and inquiring mind shed fascinating and often simulating light on these works.”
MoreIn an exclusive feature for Strings Magazine, Juliana discusses the challenges in interpreting Bach’s 4th Cello Suite, as well as why she feels every string player can benefit from the study of Bach.
MoreJuliana chats with Kelley Crawford about the moment she knew she wanted to be a cellist, how her greyhound keeps her humble, and the items that never leave her travel bag.
MoreJuliana stops by the WABE studios in Atlanta for an exclusive performance and chats with “City Lights” host Lois Reitzes about her earliest musical experiences, her new album, and why she loves improvisation in Bach.
MoreThe Violin Channel recently caught-up with Baroque cellist Juliana Soltis to gain some fascinating insight into her new recording project, ‘Going Off Script.’
MoreJuliana joins Classical MPR’s Steve Staruch LIVE from the Maud Moon Weyerhaeuser Studio in St. Paul to discuss her new album, Going Off Script, her ongoing album tour, and why Bach’s notes are only a starting point.
More“You’ve never heard Bach played this way before.” Steve Staruch